PROFILE

 Hiroyuki  Sugawara

  glass sculpture


Born in Sendai at latitude approx 40 degrees north in Japan

Education

2003-2006   Associate degree, Tokyo Glass Art Institute

1993-1995   MS(concentration in glass), Univ of Iwate, Japan

1989-1993   BS(concentration in cast iron), Univ of Iwate, Japan

Selected Juried Exhibitions

2010   "The 46th Kanagawa Art Exhibition 2010" Yokohama, Japan

2007   "Sanyo Onoda Contemporary Glass Art Exhibition, "Sanyo Onoda Glasswork Implementation Committee, Sanyo Onoda, Japan

Workshop attend & Professional practice

2011   TA, Tung Fang Design Institute, instructor Koichi Watanabe, Taiwan 

2007   TA, Hawaii Craftsmen, instructor Shunji Omura, Hawaii University, USA 

2005   Glass Blowing Concentration, Makino Production, Japan 

2003   Kenji Ito Glass Workshop, AYA glass studio, Japan 

Main Exhibition

2021   "glass macaroni exhibition", gallery futari, Tokyo

2014   "Shape of glass to come Vol.2", GalleryO2, Tokyo 

2013   "Glass vege", Cupika gallery, Tokyo

2010   "Niche-Return home", Nroom artspace, Tokyo

2009   "THE PATH", Futaba gallery, Tokyo

2006   "Glass Talking", Gallery Clamer, Tokyo

Work Experience

 2025   Establish a glass blowing studio "Glass Ridge"

 2012-2024   Staff, Tokyo Glass Art Institute(JPN)

 2009-2011   Staff, Glass Studio Okapi(JPN)

 2009-2011   Instructor, Rokugo Metropolitan Technical high school(JPN)

 2009-2011   Citizen lecturer in Vinus Culture Plaza(JPN)

 2008   Assistant, Denizen Glass Studio, Sidney(AUS)

 2007   Staff, Japanese School of Decorative Arts, Nagano(JPN)

 2006   Assistant, Tokyo Glass Art Institute, Tokyo(JPN)



                          

Artist Statement

I put all my energies to express the power of glass and the miraculous existence of human beings together. I would like to create the pieces that could capture the eternity of hot molten glass forever. Human is miraculous existence birthed from all matters and this human power has enough ability to the future. I have expressed for my pieces that I transform the power to glass.

I create my pieces to tell momentary brightness, unstableness and uncertainness of human beings through the glass. The existence of human beings might be neglected because they are instant existence in stream of whole times.

But human should be life to live in that brightness of lightning. In that moment, whoever could estimate human’s act? Anyone couldn’t that. It’s meaning of existence as human beings whatever you go anywhere or you do anything, I just put on that the existence of glass.

The material of glass is special thing for me. The glass does not have strong will like an iron and not have sentiment like a soil. It’s just the existence like a soul. I think it have connected to another world that is superior from human existence and times.

Therefore, my work is that momentary brightness of human beings add to glass first and I leave it to overwhelming uncertainness because I have faced up to glass with my respect usually and I have tried to not enter deep inside of materials.

It just steadiest moment for me that the glass has the most brilliant moment when that is glowing orange with melting. At only this we can find the power of human being’s existence that is very radical and warm moment. However, at next time the glass is cooled down and is switched to steady condition. In the colorless and transparent world it seems that there is not only humanity but also will and feeling.

I put glass to a little power when the glass is hot molten condition as orange blaze and then I would like to create my pieces such as it remains as a little fragile human power if it becomes to transform by glass power and turn to stable condition with cooling because I think it could exist forever by a little power.

My style for creating pieces has not consistency especially about shape and technique but working only facing up to glass with modesty.

I think it is worth for creating that other people are felt fragile human beauty through the glass existing in eternal stream of time.